Did some work on the Sarah June Remix EP tonight coming up with a proposed track order & doing some photos for possible art. Sent the ideas off to Sarah to see what will happen. It’ll be ready soon kids.
I have seen in the past the “swap audio” option on YouTube. Of course it doesn’t work anything like I anticipated (meaning I can’t upload new audio, I just have to chose from their catalog of audio). So here’s the feedback video & the audio is because there is something wrong with the camera.
I talked to Brian McKenzie a bit about the new Remora record & whether or not I should get it mastered & by who. His general review was if I want it mastered for less than $500, I’m just as well off doing it myself; but if I think about all of the really great records that there are, very few where there’s only two guys working on it as far as recording, mixing, & mastering. I’m torn. How much money do I want to sink into it knowing that these days I might sell 250 copies if I’m lucky? I miss the 1990s where an indie band could sell 10 discs at almost every show & even obscure unsigned touring bands needed to press 2500 copies.
I got a CD-R in the mail with no note. I assumed it was a demo, but when I looked at the liner notes it was a plunderphonic record & the samples it was built from were Coldplay, Interpol, Linkin Park, The Killers, & Remora. Somebody thinks more highly of me than I think of myself….
Today’s installment of Silber mini-comics is Worms #3.